Snehashish roy
Television and film actor Krystle D’Souza has stepped forward to support Tamannaah Bhatia amid ongoing criticism surrounding a song from the film Dhurandhar. The controversy, sparked online after portions of the song’s choreography drew mixed reactions, prompted Krystle to speak up with a message many fans are calling thoughtful and measured. In a social media post, she urged people not to unfairly target or tear down another person over artistic expression.
The Dhurandhar song in question gained widespread attention, with viewers offering conflicting opinions about its steps and presentation. While some praised the performance, others criticised certain moves as inappropriate or out of sync with their expectations. The debate, like many online viral moments, quickly became polarised, drawing both supportive and negative commentary about the artists involved.
Amid this environment, Krystle chose to publicly back Tamannaah, who performed in the song. In her message, Krystle emphasised the importance of empathy and respect in conversations about creative work. “We all are entitled to opinions,” she wrote, “but let’s not tear another person apart for something they’ve passionately worked on.” Her tone underscored the difference between constructive critique and personal attacks, a distinction she felt was being lost in the heat of the online debate.
Krystle’s intervention reflects a growing awareness among actors and creators about how quickly public sentiment can shift online, and how personal that backlash can sometimes feel for those at the centre of it. Rather than commenting on the specifics of the choreography or the controversy itself, she focused on the human aspect, the artists who put in effort, dedication, and emotional investment into their craft.
Her point resonated with many who took part in the discussion, highlighting that performers are people first, and that harsh criticism can often cross the line into unfair territory. Social media users responded appreciatively to Krystle’s call for compassion, with many echoing her sentiment and reminding others that everyone involved in film production, from actors to dancers to directors and choreographers, contributes time and passion toward the final product.
In recent years, various Bollywood films and songs have faced similar online debates, where elements of performance or presentation become sites of intense scrutiny. Sometimes these debates focus on artistic merit, while at other times they veer into personal commentary about the performers themselves. What Krystle appeared to be addressing was precisely that shift: from discussing the art to venting frustration at the artist.
By centering her message on mutual respect, she also indirectly highlighted the need for healthier discourse online. Art, after all, is subjective; what appeals to one viewer might not resonate with another. Krystle encouraged followers to differentiate between expressing personal taste and launching sustained attacks on individual performers.
This stance brought attention back to a constructive aspect of the conversation, the role of performance art and artistic diversity in cinema. Actors and dancers bring their skills to varied projects, often adapting to different styles at the director’s vision. Tamannah’s involvement in Dhurandhar is part of her broader career, and Krystle’s comments serve as a reminder that one song does not define an artist’s entire body of work.
Fans reacted positively, with some saying that the entertainment industry, like any other field, deserves room for debate, but not hostility. Many appreciated that Krystle did not dismiss criticism outright but called for it to be expressed in ways that do not undermine another person’s dignity.
Ultimately, Krystle’s message was clear: creative expression should invite dialogue, not division, and audiences can engage with art without tearing down the individuals behind it. Her defence of Tamannaah Bhatia reflects a broader plea for kindness in public conversations about entertainment, even when opinions differ.